Enumerating vms-trsl elements

[At moment "[2025-08-20 (17:55)]" Script "file:/C:/JLC/XML_tests/AtiyulA/enumerate_vms-trsl-s.xslt" was applied to Base file "file:/C:/JLC/XML_tests/AtiyulA/cpAu_vms-trsl_2e.xml"]

Enumerating vms-trsl elements

The total count of ATOMS is 646

RANK Page location ATOMS count upto kaNNi TRANSLATION STRING ATOMS
1 Page 72 3 1 the god who stood as a column of fire for tirumāl and piramaṉ of four faces to be greatly confused l1 l2 tc
2 Page 72 1 2 he manifested himself without being born like human beings ab
3 Page 72 1 2 will see things without the help of eyes cd
4 Page 72 1 2 renounced the body without undergoing ascetism. l2
5 Page 72 2 3 was absorbed without being immersed in anything tc ab
6 Page 72 1 3 passes beyond everything without leaving them cd
7 Page 72 1 3 rose high without becoming tall in the proper way l2
8 Page 72 2 4 knew the contents of the works of knowledge without undergoing the laborious way of studying tc ab
9 Page 72 1 4 he is minute without becoming slender cd
10 Page 72 1 4 he is near to all things becoming [they] themselves [without their] becoming near him. l2
11 Page 72 2 5 will protect all things as the primordial ari (māl) tc ab
12 Page 73 1 5 he creates all things becoming ayaṉ cd
13 Page 73 1 5 he himself destroys all assuming [the form of araṉ] l2
14 Page 73 2 6 has the appearance of the supreme god without the celestials knowing it tc abc
15 Page 73 2 6 accomplished appointing them according to his will d l2
16 Page 73 3 7 will grant his grace assuming that form if anyone, whoever he may be, meditates on him in any form without ceasing. tc l1 l2
17 Page 73 2 8 will protect all beings permanently being himself all forms tc ab
18 Page 73 2 8 our god whose form which is different from his own to be seen by others cd l2
19 Page 73 3 9 when he was sitting in the temple of great beauty in çivapuram in the çivalōkam which has imperishable fame tc l1 l2
20 Page 73 3 10 the immortals of red [eyes] after deep consideration gathering in a group joining to the outside of çivapuuram solicited 'grant us audience' tc l1 l2
21 Page 73 1 10 on one day in that place tc
22 Page 73 2 11 the goddess who dwells in the lotus flower, the goddess of earth who is without falsehood, the goddess of fame and the goddess of learning who dwells in the tongue of living beings l1 ef
23 Page 73 4 12 to beautify the tresses of heir by the daughter of the King of the mountain, well-protected, tender sprout of wisdom to beautify the tuft of hair (specially of men) g tc l1 l2
24 Page 73 3 13 with a lakh of red lotus that grow in the tank fed by mantākiṉi {mantākiṉi is the name for the kankai in the heaven and flowers from intiran's garden without flaw) tc l1 l2
25 Page 74 2 14 adorning the head with a circular garland knitted by imperishable vayantaṉ the god of spring tc l1
26 Page 74 1 14 adding good aromatic substances which all will desire l2
27 Page 74 3 15 smearing on the body with great affection with the thick paste of sandal prepared by women of noble birth who know its value tc l1 l2
28 Page 74 2 16 dressing him in the fragrant silk which was given by kaṟpakam which has abundant splendours tc l1
29 Page 74 1 16 having fixed golden Kaḻalkaḷ on the leg to appear grand. l2
30 Page 74 2 17 invested with a crown in which are set superior precious stones which emit rays. tc abc
31 Page 74 2 17 fixing firmly a golden plate in the bright forehead in which there is already a small ornament. d l2
32 Page 74 2 18 wearing in the ears ear-rings having the form of a shark and which are made of precious stones not bored through tc abcd1
33 Page 74 1 18 expletive d2
34 Page 74 3 19 wearing big ornaments and golden chains and a necklace of diamonds which adds beauty. l2 tc ab
35 Page 74 2 19 a garland indicative of victory with superior beauty to shine brightly on the holy chest cd l2
36 Page 74 4 20 wearing the bracelet worn on the upper arm for all the eight shoulders which are beautiful and tying securely a girdle of gold on the dress to make people who see that to feel joy tc l1 l2 tc
37 Page 74 1 21 wearing a waist-string and wearing wristlets l1
38 Page 74 1 21 adding beauty by all decorations which are graceful {VMS puts ஆங்கு between parenthesis} l2
39 Page 74 2 22 at that time when he came out of the entrance guarded by nanti and makalar, commanders of sivaṉ's hosts, wearing sandals. tc l1
40 Page 75 1 22 the vaçukkal, a class of gods came into his presence and recited the vētams. l2
41 Page 75 3 23 the seven sages of endless reputation and countless fame to bless him. tc l1 l2
42 Page 75 3 24 the twelve sun gods of bright colour to say benedictions of longevity and the immortal akattīyaṉ to play on the yāḻ {Some have the reading makatiyaṉ [மகதியன்] then it will mean nāratār who has a yāḻ by name makati) tc l1 l2
43 Page 75 3 25 beautiful god of fire to hold fragrant incense and the god of death to utter benedictions with auspicious words tc l1 l2
44 Page 75 3 26 niruti of red eyes and others to hold mirror and varuṇaṉ to carry a pot set with precious stones. tc l1 l2
45 Page 75 3 27 the god of air, vāyu to sweep completely the whole of the street, the big clouds to sprinkle water, and the spotless moon to hold umbrella above his head. tc l1 l2
46 Page 75 3 28 īcāṉaṉ of desirable fame came and took charge of the betel-pouch; the twins, accuṉikaḷ to say benedictions by mantiram to the satisfaction of the mouth. tc l1 l2
47 Page 75 3 29 the holy uruttirarkaḷ to utter praise and Kupēraṉ (the god of wealth) to scatter great wealth of great beauty. tc l1 l2
48 Page 75 3 30 the holy waters which are inclusive of the Kaṅkai, and yamuṉai which are suited to the idea to wave alternately shooting up yak's tails on both sides. tc l1 l2
49 Page 75 3 31 the serpents which were stationed in the eight directions to carry lamps by the gems on their hoods, and the fearless elephants of trunk to bow before the feet. tc l1 l2
50 Page 76 3 32 the clouds of different forms in the sky serve as canopyall the lightnings being flags surrounding the crowd, and the thunder produced in the clouds roar like muraçu. tc l1 l2
51 Page 76 3 33 tumpuru and nāratar who enjoy the sight, sing following the crowdd; and ladies who have minute waists like the tender bough dance everywhere. tc l1 l2
52 Page 76 3 34 our lord riding on a tall, and yound bull of shining brightness for the celestial to bow to him. tc l1 l2
53 Page 76 3 35 when he passed through the seven gates the host of pūtam which have in their minds a definite intention to guard appropriate to çivaṉ tc l1 l2
54 Page 76 3 36 murukaṉ, the proud commander of the army of the celestials to go riding on his peacock and the Intiraṉ of innumerable battles to follow on his elephant, irāvatam. tc l1 l2
55 Page 76 2 37 ayaṉ (piramaṉ) to go overtake on the right side riding on his chariot of a swan tc l1
56 Page 76 3 38 the permanent māl to go on the left side on the karuṭaṉ who has shoulders as strong as a rock. l2 tc ab
57 Page 76 7 40 kāmaṉ who has five arrows to go before the front rank of the army, having fired the arrows of flowers which were united with fragrance, to discharge on the ladies of big breasts who wear on their wrists bangles made of conch, appropriate to their beauty, holding the arrows o flowers on the left upper side and the bow of a sugar cane holding it also in the left side.. cd l2 tc l1 l2 tc abc
58 Page 76 2 40 the angry ayyaṉar of great beauty to join riding on his horse d l2
59 Page 77 6 42 the blue-coloured turkkai of beauty to ride on lion of great prowess to be surrounded by the seven virgins who have hanging tresses of hair, bright eyes like the fish keṇṭai and lips like the fruit of the common creeper of the hedges and forehands encircled by bangles, encircling the viṉāyakaṉ of an elephant head. tc l1 l2 tc l1 l2
60 Page 77 3 43 viccātarar in whom learning remains, iyakkar, kiṉṉarar, kimpuruṭar, those famed accāraṇar, arakkar and acurar (these belong to the 18 classes of celestial hosts) tc l1 l2
61 Page 77 1 43 in all places tc
62 Page 77 11 47 to play on callari, cymbals, takuṇitam, tattalakam, kallalaku, kallavaṭam, montai, conch that raps according to measure of tense (SIC!), calañcalam, taṇṇumai, pēri that is tightly fastened by leather straps, karatāḷam, muḻavam that is beaten with the hands, kokkarai, vīṇai, flute, yāḻ, spacious taṭāri, paṭakam, spacious mattaḷam, tuntupi, appropriate muruṭu (with these instruments) to produce a high pitch (SIC!) of sound in every direction. l1 l2 tc l1 l2 tc l1 l2 tc l1 l2
63 Page 77 3 48 panegyrist who prostrated at once united with them and servants and wrestlers to make tinkling sound. tc l1 l2
64 Page 77 3 49 the permanent six seasons, yōkam, sever penance, never changing seals, and mantiram tc l1 l2
65 Page 77 3 50 the three tenses which make the ends of the life of beings, moments, the characters {cattuvam, rācatam, and tāmatam} and vāla kiliyar crowding coming there. tc l1 l2
66 Page 77 3 51 god of the superior celestials, let you protect us! the husband of Umaiyāḷ of beauty! let you protect us! tc l1 l2
67 Page 78 3 52 god who dances on the fire and who admits us as his slave! let you protect us, civaṉ! let your feet protect us! lord of the universe! our father and mother! let your feet protect us. tc l1 ef
68 Page 78 1 52 the chief! let you protect us. g
69 Page 78 3 53 caṅkaraṉ who has fame with no blemish! let you protect us! one who adorns himself with angry cobras! let your feet as valuable as gold protect us. tc l1 l2
70 Page 78 1 53 there on one day tc
71 Page 78 2 54 let your feet which gave to aruccuṉaṉ appreciating his fair battle, a weapon by name pācupatam; protect us. l1 l2
72 Page 78 3 55 god who is seated on the holy mountain; let you protect us; who dwells in the cremation ground; who is on the heas of the inhabitants o heaven; let you protect us; let your feet protect us. tc l1 l2
73 Page 78 2 56 their senses to become confused when they showered flowers like raiin saying 'let your nature protect us without ceasing". tc l1
74 Page 78 1 56 auspicious things to be on the increase everywhere in the four cardinal directions. l2
75 Page 78 3 57 the flag on which the form of a bull is drawn, large flags, an umbrella, as emblem of royalty, and beautiful garlands to surround every where. tc l1 l2
76 Page 78 3 58 at that time when civaṉ of beauty came riding in order to captivate afresh the minds of ladies whose black tresses of hair are eminent by flowers which spread fragrance. tc l1 l2
77 Page 79 3 59 as soon as the sound of the army of civaṉ who is the lord of the celestials who have blotless reputation and who was beautiful and riding on a bull tc l1 l2
78 Page 79 3 60 Having a lightning conductor without any defect, an eminent crescent, protecting the vētams, and bearing the celestial water of Kaṅkai which has holy nature tc l1 l2
79 Page 79 6 62 having determined as the battle-field the bed filled with flowers as the place where armies meet, in the centre of the bright storey which resembles exactly the form of civaṉ of unbounded liberality who has covered his body with an elephant skin as the storey is adorned with a cloth of no meanness. tc l1 l2 tc l1 l2
80 Page 79 3 63 the anklets without ugliness becoming the war-drum, the eyes with red streaks as arrows, the curved eyebrows which are crosswise as bows, tc l1 l2
81 Page 79 3 64 thrusting the chariot of the waist which is colourful, the wing of the army to go forward, the bangles to make a sound and the beautiful tresses of hair to fall on the nape. {கூழை - rear of an army is another meaning; வளை conch is another meaning} tc l1 l2
82 Page 79 2 65 the horses of breasts which have brightness surrounding to swell with joy. tc ab
83 Page 79 2 65 the ladies wearing choice jewels who were tired after engaging themselves with their husbands in battle order to captivate the minds of their husband. cd l2
84 Page 79 3 66 in the pot of gold of red colour adorning themselves with great and good beautifying things seeing their reflection in the blue coloured water. tc l1 l2
85 Page 80 3 67 ladies beginning from the beautiful pētai to the end of pēriḷampeṇ crowding together with joy to join with one another tc l1 l2
86 Page 80 3 68 ornament for the head which has brightness, ornament for the forehead a kind of ornament for ladies, an ornament worn on the forehead by woman, a kind of ear-stud or ear-ring and an women's ear-ring made of gold to sparkle like liightning. tc l1 l2
87 Page 80 3 69 will worship him with joined hands climbing up the mansion; will become confounded, undergoing suffering, hightly infatuated. tc l1 l2
88 Page 80 3 70 if civaṉ with matted hair does not give his garlannd praised highly in works, the night will kill us afterwards. tc l1 l2
89 Page 80 3 71 will say he is Kāmavēḷ (Cupid) he is not Kāmaṉ, will be doubtful about their opinion and take a vow by striking hands; will lose bangles made of conch in addition to their sense of shame. tc l1 l2
90 Page 80 3 72 will adorn themselves with the kind of gold necklace in which beauty is permanent, with that ornament will wear it as a garland on which bees swarm. tc l1 l2
91 Page 80 3 73 having first coated one arm with colliriyum and leaving the other eye without coating it, will enter into the streets running, will be bewildered. tc l1 l2
92 Page 80 3 74 will put red silk cotton paste on the mirror nearby; mistaking the ball to be parrot will teach words to it choosing words suited to melody-types tc l1 l2
93 Page 80 3 75 will cast the net of eyes on the chief to enclose him; loosened the latch of steadiness of mind certainly tc l1 l2
94 Page 81 3 76 one lady who is defectless in her period of pētai of bright complexion, who cooks toy food with white sand in a small vessel made of earth. tc l1 l2
95 Page 81 2 77 she is incapable of pride by her defectless waist. tc abc
96 Page 81 2 77 she is incapable of melting the melting hearts of males by her beautiful dress. d l2
97 Page 81 3 78 she could not afflict youth by her gait and did not take upon herself the act of suffering by her shining breasts tc l1 l2
98 Page 81 2 79 if she looks directly at people her looks will not afflict people tc abc
99 Page 81 2 79 she will not deceive others' minds by the speech that comes out of her red lips d l2
100 Page 81 3 80 she would not tie her tresses of hair with flowers to her cleverness to appear patently; she would neither cause forgetfulness to males by her shoulders which resemble young bamboos. tc l1 l2
101 Page 81 3 81 she who was wearing beautiful ornaments had a mind which thought one thing, said about another thing, did quite another thing and went towards quite a different thing, daily. tc l1 l2
102 Page 81 3 82 having adorned her neck with a tāli well, smeared her body with sandal paste and dressing herself in a blue colour saree, unfolding it. tc l1 l2
103 Page 81 3 83 when one woman questioned, 'who is the father to this doll who is a beautiful as a portrait, who was playing with a doll in a pandal well decorated. tc l1 l2
104 Page 81 2 84 she replied it is civaṉ who has endless fame and who dances in fire, tc abc
105 Page 81 2 84 seeing him seated on big bull of burning anger. d l2
106 Page 82 3 85 she did not think of this thing which her mother said; girls like her entered studying the work on love today itself a little; on an auspicious day. tc l1 l2
107 Page 82 3 86 a girl of the age of petumpai who has great brilliance and beauty and has a beautiful nature of a peacock in the winter season {MY_REMARK: ifp MS does not reproduce the tc segment பொற்புடைய} tc l1 l2
108 Page 82 6 88 she had a face resembling the full-moon in which red coral, a small ornament worn on the forehead by women, a desirable bow which is bent and made of pearls which are pure, a red fruit of the common creeper of the hedges, a pair of Keṇṭai (a kind of fish) which are beautiful, two ear-rings fixed to a lotus which has eminent brightness {I CORRECT "frightness" into "brightness"}. tc l1 l2 tc l1 l2
109 Page 82 3 89 she wore on her hands bracelets appropriate to her beauty which were shining, and tinkling ornaments for the perfect ankles, which were made of precious stones shedding rays. tc l1 l2
110 Page 82 3 90 had a waist which was weak by a saree of bright colour which surrounded the waist, had big shoulders on which was smeared sandal paste selected from the pootiyil mountain. tc l1 l2
111 Page 82 3 91 she had breast which were like the strong hills which had elevation having made their appearance on the chest; is like the nectar which was produced in the ocean. tc l1 l2
112 Page 83 3 92 has a tresses of hair which is surrounded by a garland of flower-petals, speaks good words like the young parrot which lives in the garden of spreading fragrance. tc l1 l2
113 Page 83 3 93 having made the bright eyes which captivate youths by practicing deceit very much, appear beautiful by coating them with collyrium tc l1 l2
114 Page 83 3 94 wearing a garland of precious stones which does not leave out any precious stone, fixing the ring in the soft-finger and a ring of beauty to shine on the shoulder. tc l1 l2
115 Page 83 3 95 her friends and herself joining together and drawing with the beautiful pure and white sand the form of kāmaṉ to come into being. tc l1 l2
116 Page 83 3 96 when they were drawing together the bow of sugar-cane, arrows of flowers and chariot of Kāmaṉ, having fixed their minds on them. tc l1 l2
117 Page 83 3 97 civaṉ, the holy god who wears a garland of koṉṟai on which there is honey and on which desire to get it moves slowly, civalōkaṉ, to come here on the big and eminent bull. tc l1 l2
118 Page 83 3 98 as she desired civaṉ she lost her qualities which great people praised on the virtue of ladies, lost her sense of shame, lost her intellect which was with her permanently till that time and lost her moral firmness. tc l1 l2
119 Page 83 3 99 her bangles worn on the wrists well to slip down and eyes which are like bees to run after him and the dress on the wait to slip downn quickly she whoo had a tresses of hair on which civet unfloded itself, stood withut moving. tc l1 l2
120 Page 84 2 100 mankai of excellence tc a
121 Page 84 1 100 had the great nature of not transgressing {SIC: tranguessing} her place. bc
122 Page 84 2 100 had a navel {CORRECTED: an evil} which was like the eddy of the Kankai which descended from heaven. d l2
123 Page 84 3 101 she whose looks were the deer, had palms like lotus; feet like lotus, her breasts were like lotus-buds, her face was like the blossomed lotus. tc l1 l2
124 Page 84 2 102 the slender waist which had increasing beauty was like the common rattan of south india tc ab
125 Page 84 2 102 her big and large shoulders were like bamboos the waist which wore a beautiful silk-dress was like the central sitting place of a chariot. cd l2
126 Page 84 3 103 her tresses of hair which issued fragrance were like the blak sand, red lips were like coral, the beautiful teeth which were in her mouth were like the pearls of mild brightness tc l1 l2
127 Page 84 3 104 having adorned her head with a garland surrounded by swarming bees with appropriate fame and fixing beautifully necklace of uruttirākka beads in the neck. tc l1 l2
128 Page 84 3 105 to beautify the general appearance without a fault, fixing correctly the weighty girdle in the waist and wearing ear-rings in the ears. tc l1 l2
129 Page 84 3 106 at that time when the lady took out the bush-myra from the cage and was talking to it. tc l1 l2
130 Page 84 3 107 riding on a bright and big bull like the sun which is seated majestically on the mountain of silver (Kayilai) which has good peaks. tc l1 l2
131 Page 85 3 108 will she survive as soon as the caṭai coiled into a crown; of civaṉ on whose caṭai clear water of Kaṅkai says? with a deluded mind. tc l1 l2
132 Page 85 3 109 she will look at the garland of civaṉ who is surrounded by the halo; will look at her hand, will look at his beauty; and will look at her own beauty. tc l1 l2
133 Page 85 3 110 drawing a deep breath fixing her gaze for a long time on hiis chest, she will look at the shoulders of civaṉ who has abundant grace and at her shoulders also. tc l1 l2
134 Page 85 3 111 without considering the sense of shame, breathed hot, having sunk in the flood of desire which does not leave off her mind to melt. tc l1 l2
135 Page 85 3 112 a lady who has natural grace and divine form like the sweet tamiḻ and has atttained the age of maṭantai which had fitting fame. tc l1 l2
136 Page 85 11 116 she had, the bow of civaṉ who had fitting paramount importance as her eye-brow; beautiful and superior coral as her lips, the vēl held by murukaṉ in his right hand as her eyes; had spherical perls as her teeth; common rattan of south india which has green leaves as his {SIC!} minute waist; had bamboos as her shoulders; had {page 86} buds of lotus as her breasts of sweet embrace; had the round and great moon that appears in the clouds as her bright face. tc l1 l2 tc l1 l2 tc l1 l2 tc abc
137 Page 86 2 116 had red feet which were the beautiful flowers of lotus. d l2
138 Page 86 3 117 had thighs which were like the bright-coloured stem of the plantain tree, had a waist as wide as the central seating place in the chariot of civaṉ in tiruvārūr {the chariot of tīyākarācar is called āḻittār (SIC!)} tc l1 l2
139 Page 86 3 118 just on the bright stars surrounded the faces {SIC!} thinking it to be of beautiful pristine moon. tc l1 l2
140 Page 86 3 119 she adorned her neck with a garland of pearls of increasing brightness; as the great bustle was increasing when she was covered with ornaments. tc l1 l2
141 Page 86 3 120 by her skill having obtained through mastery in drinks, secretion of a must-elephant, sandal paste which is mixed with aromatics having made self-restraint both inside and outside. tc l1 l2
142 Page 86 3 121 when Kaḷinkam pigment was lying with brightness, which has clear splendour, firing the garland of tāḷimpam which was knitted on the bright forehead. tc l1 l2
143 Page 86 3 122 clapping with the hand cool and fragrant sandal paste everywhere on the shoulders and daubing well the lovely sandal to gain colour on that. tc l1 l2
144 Page 86 3 123 the maṭantai who has a bright forehead climbing and sitting on a small seat surrounded by friends who loved her and fixing the melody, Kāmaram in the yāḻ, after that. tc l1 l2
145 Page 87 3 124 when she was singing the maṭal (a minor work) which had as its hero civaṉ, the vētiyaṉ who had a neck in which the colour of the poison was permanent. tc l1 efg1
146 Page 87 6 126 when she looked at the direction from which she heard the sound of the beautiful bell tied to the neck of the big bull on which civaṉ who has a vēl with which he would {BARELY-DECIPHERABLE} kill enemies, is well-versed in archery and who is capable of producing delusion always in the minds of the tender-natured ladies. g2 tc l1 l2 tc abc
147 Page 87 2 126 seeing civaṉ who wore many ornaments on his shoulders. d l2
148 Page 87 3 127 getting up to leave the assembly which wore beautiful ornaments and bending the face wearing the ear-ring, cleaning the mouth to make the forehead to become red. tc l1 l2
149 Page 87 2 128 thinking that all the people of the country saw god. tc abc1
150 Page 87 2 128 good lady! if the graceful looks of the god falls on the female attendants let them fall. c2d l2
151 Page 87 1 128 slowly. tc
152 Page 87 1 129 will try to go before him ab1
153 Page 87 1 129 her legs will tremble b2c
154 Page 87 2 129 she will try to tell him her love which he developed d e
155 Page 87 1 129 will lighten her loose dress telling her disease of love fg
156 Page 87 2 130 will look at his good chest tc ab1
157 Page 87 1 130 her eyes will be filled with tears b2c
158 Page 87 2 130 will become bashful in the presence of those who looked at civaṉ. d ef1
159 Page 87 1 130 the heart would not make up its mind. f2g
160 Page 87 2 131 will try to embrace the chest wearing ornaments. tc a
161 Page 88 2 131 thinking the chief is not within reach of our hands will undergo suffering on this manner; and sink in the deep suffering. bcd l2
162 Page 88 3 132 the tender natured maṭantai cried out as the garland of Koṉṟai took away her complexion and receiving in return the sallow ccolour of the Koṉṟai flowers. tc l1 l2
163 Page 88 1 132 after these one lady tc
164 Page 88 2 133 has small feet like the red-coloured lotus; is of the age of arivai who has a beautiful complexion without defects. l1 l2
165 Page 88 3 134 as she had in her body moon of bright colour (face) stars (pearls), bow (forehead) cloud with water (tresses of hair), red lips which have permanent brightness. tc l1 l2
166 Page 88 3 135 has brightness of the fact which resembles the sky which has lightning of increasing light; has excellence of being without any one being her equal. tc l1 l2
167 Page 88 1 135 always tc
168 Page 88 3 136 according to the verse in Kuṟaḷ {{Kuṟaḷ 752: illārai yellāru meḷḷuvar celvarai / yellāruñ ceyvar ciṟappu}}, 'all people will slight the poor; all people will show regard to wealthy people.' l1 l2 tc
169 Page 88 2 137 tied round the waist a girdle; adorned the beautiful breasts with abundant sandal paste and ornaments l1 l2
170 Page 88 2 138 she caused the waist - which suffered to melt in the midst of her parts. tc abc
171 Page 89 2 138 she gained a victory over the female swan by her graceful gait. d l2
172 Page 89 2 139 she added dignity to both her feet by wearing an ornament by the name 'pāṭakam' tc abc
173 Page 89 2 139 she linked on her wrist an ornament; bracelet in which were set many precious stones. d l2
174 Page 89 2 140 having worn on the head a necklace which has imperishable renown. tc abc
175 Page 89 2 140 caused the neck of permanent beauty with ornaments suited to that part {{SHOULD BE: caused to rejoice}} d l2
176 Page 89 6 142 as soon as the supreme light appeared on a big bull which does not perish, when she who is like the goddess of wealth began to sing song first of all out of love placed on the chief of the celestials who do not wink, taking the vīṇai of sweet music. tc l1 l2 tc l1 l2
177 Page 89 3 143 leaving the sweet music with accompaniments, this birth, the excellent tamiḻ which she cherished with love and inseparable vīṇai. tc l1 l2
178 Page 89 3 144 saying that today is the day when we can see him, friends who are as beautiful as the goddess of wealth! if he does not take possession of our excellent beauty, womanliness is good for us. {{should probably be: "is NOT good for us"}} tc l1 l2
179 Page 89 3 145 expressing distinctly going, to his bright face on which bright perfumed sandal was smeared, with her eyes which were like two young elephants dancing. tc l1 l2
180 Page 89 3 146 she will untie her tresses o hair, again tie it; will arrange her dress sprucely; will smear sandal paste on her body; will tie a bodice on her breasts. tc l1 l2
181 Page 90 3 147 will wrap round the dress of floral border, will untie it; will worship with joined hands, will weep, undergoing languishing suffering will sink; will become firm in her love, will take a long breath. tc l1 l2
182 Page 90 3 148 she saved the bangles which had surrounding brilliance from falling by worshipping him with joined hands; could not prevent her dress from slipping down; even arivai of distinction lost her beauty. tc l1 l2
183 Page 90 1 148 one lady. tc
184 Page 90 2 149 is of the age of excellent terivai, who is like the ambrosia that satiates assuming parts of the body. l1 l2
185 Page 90 3 150 is always like the day-break when darkness clears by the words coming from her mouth which are lisping like the secondary melody type maruḷ which cannot be clearly understood. tc l1 l2
186 Page 90 3 151 has a body which be compared to the noon as she generates the heat of love by god's grace. tc l1 l2
187 Page 90 3 152 has the beauty resembling the evening sky as her red feet which are like beautiful tender leaves and palms are red, having left heat. tc l1 l2
188 Page 90 3 153 she had the beauty of the beautiful night as her face which has endless gracefulness is like the moon. tc l1 l2
189 Page 90 3 154 she had the splendour of the cool winter that sets in as she has a {{page 91}} minute waist and expansive breasts which are full of excellence {பயோதரம்: cloud; that which bears water is another meaning} tc l1 l2
190 Page 91 3 155 she had the nature of the milder part of the hot season as she has a complexion like the tender leaves of the mango-tree which are of bright colour and her lips are the petals of the flower of the palas tree. tc l1 l2
191 Page 91 5 157 she has attached to her defectless and excellent feet in the proper manner anklets which sounded like drums beaten as if informing "People who have intelligence stand; others go away from here." tc l1 l2 tc abc
192 Page 91 1 157 the private part which is like central seat in a chariot d
193 Page 91 1 157 thinking it is not proper for its expansive without any consideration. l2
194 Page 91 3 158 she gracefully tied round it rich attire and a girdle, as the beautiful breast will captivate the minds of youths. tc l1 l2
195 Page 91 1 158 to be first tc
196 Page 91 2 159 with a beautiful bodice and guarding the twin shoulders which are like bamboos guarding them by a pair of armlets. l1 l2
197 Page 91 3 160 concealing the defectless neck which has suitable excellence by necklaces of pearl and fixing in the ears ear-rings which emit rays of light, tc l1 l2
198 Page 91 3 161 coating first of all the eyes with the collyrium which was luxuriant and prepared by her as if she was softening the angerr of the eyes which are black and resemble blue nelumbo flowers. tc l1 l2
199 Page 92 3 162 had a beauty that made all however strong they may be agitated in mind has the properties of the swan and the indian cuckoo. tc l1 l2
200 Page 92 6 164 had a black tress of hair which spreads the fragrance of honey, which hangs low issuing smell outside, with nothing inside conncealing brightness being black in colour, being short, carrying flowers, tying it thinking of many things. tc l1 l2 tc l1 l2
201 Page 92 3 165 joining in the forehead a garland of purple indian water lily smearing red saffron, and wearing in the waist a silk having the clear brightness of a purple indian water-lily tc l1 l2
202 Page 92 3 166 when she was playing chess fixing well conical pieces in dice-play on the gambling table made of silver, on which were placed dices of increasing beauty. tc l1 l2
203 Page 92 3 167 when the caṭai coiled into a crown of civaṉ whose feet are the origin, protection and destruction and who distributes light by his shoulders {{MISSING "as soon as appeared"}} tc l1 l2
204 Page 92 3 168 let the quality of bashfullness which is like a relation go away from, there is no place for beauty, let the strong mind also leave me, let my beauty be destroyed. tc l1 l2
205 Page 92 2 169 let the people of nole birth which is desired leave me. tc ab
206 Page 92 1 169 those who have defects come to me, cd
207 Page 92 1 169 telling affectionate friends! 'you think of me' l2
208 Page 93 4 170 if the god who is above all other gods and indescribable by words is civaṉ and if he goes away without giving me the beautiful garland kṉṟai of honey. tc l1 l2 tc
209 Page 93 1 171 (saying) if I meet him face to face I shall know what to do. abc
210 Page 93 2 171 the lady who wore a garland on which bees hum lost all her beauty feeling exhausted. d l2
211 Page 93 2 172 one lady has the feminine properties of a pēriḷampeṇ who was born as a queenly-women like the fall of the bright dice. tc l1
212 Page 93 1 172 has gentle speech speaking sweetly in which there is a melody type. l2
213 Page 93 5 174 she gave preminence to the pithy saying of the ancients which says that the pleasures to be enjoyed by all the five senses are to be found in women, in this world. tc l1 l2 tc ab
214 Page 93 2 174 has soft fingers in which the beautiful nails shine emitting brilliance like the round mirror. cd l2
215 Page 93 2 175 has a private part which is broad to make the cobra which has been fastened by civaṉ in his waist frightened tc abc
216 Page 93 2 175 has a minute waist which is flexible like the common rattan of south india which has minute beauty. d l2
217 Page 94 6 177 growing like two golden caskets which were inlaid on the top with precious stones which do not decrease in brilliance and rising upwards; surrounded on all sides by yellow beautiful spots and pale complexion, being equal to each other and appearing as causing affliction and giving pleasure. tc l1 l2 tc l1 l2
218 Page 94 2 178 has breasts which are completely equal to each other. tc a
219 Page 94 2 178 is a lady of distinction who is a surpassing beauty to all other beauties. bcd e
220 Page 94 1 178 has shoulders like the very young bamboos. fg
221 Page 94 2 179 she despised the whole lot of malabar glory lily of red colour by her beautiful hands. tc ab
222 Page 94 1 179 is beautiful like the wife of the cupid. cd
223 Page 94 1 179 : has on her chest sandal paste which is shining. l2
224 Page 94 6 181 being excellent, being similar to, assuming a circular form becoming globular, rising up, lessoning (SIC!), at both the ends and frowning fertile coral and shining containing inside pearls (teeth) and honey and extracting tribute even from sages she has red lips. tc l1 l2 tc l1 l2
225 Page 94 2 182 streaks lying all similar to each other and coated with collyrium tc abc
226 Page 94 2 182 having beautiful apples of the eyes in the centre. d l2
227 Page 94 3 183 has bright eyes which are like the sea by its nature, as big and cool Kayal fish and a fabulous conch said to be surrounded by one thousand valampuri conches are produced in it. tc l1 l2
228 Page 95 2 184 wears on her ears golden ear-rings of bright colour generally worn only by men. tc ab
229 Page 95 2 184 has a face highly esteemed like the circular moon which is cool and beautiful. cd l2
230 Page 95 2 185 has tresses of hair on which bees hum and which spreads its fragrance to a distance of yōcaṉai tc abc
231 Page 95 2 185 beautified the bright forehead by wearing a wreath wound into a ring. d l2
232 Page 95 2 186 had no defect from the foot which has blameless eminence to the head tc abc
233 Page 95 2 186 she added the smoke of frankincense which was suitable to her d l2
234 Page 95 3 187 when ladies whose words are lovable and desired even by melody types were praising her with a benediction of longevity and was sitting amidst the abundance of white yak tail fans of spreading brightness. tc l1 l2
235 Page 95 8 190 at that time when the veṇpā containing the meanig "my bright eyes will not see any other god except civaṉ; my ears will not hear the fames of other gods except civaṉ; my hands will not worship any other feet of gods except the feet wearing kaḻal, of civaṉ, that is my love towards civaṉ who holds fire in his hand, was expounded elaborately. tc l1 l2 tc l1 l2 tc abc
236 Page 96 2 190 civaṉ who has a black neck and a forehead in which there is an eye which has shining brightness. d l2
237 Page 96 3 191 the primordial god who placed on his twisted caṭai a cobra and water going to and fro, destroyed the forts of enemies wandering in the sky. tc l1 l2
238 Page 96 3 192 saw the lord who dances at night in the fire, surrounded by the company of immortals coming in the street having palacial buildings tc l1 l2
239 Page 96 6 194 {{the position of the second tc has been changed}} the ladies whose fame never dies wearing on their feet colourful anklets were saying 'chief'! you came in the street to cause to experience the evil eye that they caused to you to cause to experience themselves. tc abc d l2 tc a
240 Page 96 3 194 you snatched away our bangles gave us delusion and unbearable suffering and said as is distressed in mind, "Is this worthy of you?" bcd l2 tc
241 Page 96 2 195 having solemly declared and feeling exhausted, the lady who was like a flower garland whose fragrance spreads everywhere, her mind melting, her body becoming pale was infatuated with love. l1 l2
242 Page 96 3 196 the bustle of the ladies whose sweet words having melody type in union with them, big shoulders like bamboo, and lips like the red coral was great in deed; was it not? tc l1 l2
243 Page 97 3 197 in the street which has a tall top in which clouds gather, and on which bright crescent was moving majestically, and rising into the sky, where civaṉ went, tc l1 l2
244 Page 97 1 197 without rest tc
245 Page 97 1 198 guard the feminine qualities ab
246 Page 97 1 198 guard the two big shoulders cd
247 Page 97 1 198 know the state of the girdle worn inside l2
248 Page 97 3 199 the bull on which civaṉ who has a skull a battle-axe and a garland of koṉṟai flowers of clear colour which blossoms profusely in winter went a procession. tc l1 l2